TOURS
WORK
2024 | Prototype 1.0
2024 | Bound/Unbound
2023 | IN WORK WE TRUST | ¡CHAMO, ¿QUÉ HICISTE CON EL CARRO?
2023 | DRAW POINT TO POINT
2023 | PORTALS IN A STATE OF SUNSHINE
2022 | OVERLAID '22
2022 | GTIS & PARTNERS
2022 | CHOCOLATE BOX
2022 | COLUMBIA MFA THESIS EXHIBITION
2021 | THE (better late than never) SUMMER SHOW
2021 | COLUMBIA UNIVERSITY CLASS OF 2022 FIRST YEAR SHOW
2021 | GÜELCOME TO MY BEREAVED CHIMERA OF LA LA LAND
2020 | DRAWN: CONCEPT & CRAFT
2020 | ARAC COLLAGE SERIES
2019 | GREEN GO HOME
2019 | BOYBO++ ( AFTER MATISSE )
2019 | BATTLESHIP POTEMKIN
2018 | PREVIOUS WORKS
>
2018 | REFURBISHED
2017 | PRE-REFURBISHED
2016 | UNTITLED
2015 | THIS WASN'T WHAT WE ASKED FOR
2014 | SONY
2013 | SALVAGE
2012 | MECHANICAL PATTERNS
2011 | PLOTTED PENS
2010 | HUE
2009 | UNDERWATER
2008 | PHOTOGRAPHY
2007 | COLONIALISM
ABOUT
CV
PRESS
THE BROOKLYN RAIL
ALEJANDRO CONTRERAS: IN WORK WE TRUST
¡CHAMO, ¿QUÉ HICISTE CON EL CARRO?!
By: Caitlin Anklam
Columbia Spectator
Columbia’s Sound and Visual Arts Thesis 2022 Exhibition showcases the work of the 2022 MFA graduating class
Hyperallergic
Highlights From Columbia University’s MFA Thesis Exhibition
Cultured
Five shows to see in Miami right now
Aspen Times
Anderson Ranch hosts 14 artists from Miami’s Oolite Arts
Hyperallergic
Two Resourceful Artists Find a Way to Do Things Unconventionally
TOURS
WORK
2024 | Prototype 1.0
2024 | Bound/Unbound
2023 | IN WORK WE TRUST | ¡CHAMO, ¿QUÉ HICISTE CON EL CARRO?
2023 | DRAW POINT TO POINT
2023 | PORTALS IN A STATE OF SUNSHINE
2022 | OVERLAID '22
2022 | GTIS & PARTNERS
2022 | CHOCOLATE BOX
2022 | COLUMBIA MFA THESIS EXHIBITION
2021 | THE (better late than never) SUMMER SHOW
2021 | COLUMBIA UNIVERSITY CLASS OF 2022 FIRST YEAR SHOW
2021 | GÜELCOME TO MY BEREAVED CHIMERA OF LA LA LAND
2020 | DRAWN: CONCEPT & CRAFT
2020 | ARAC COLLAGE SERIES
2019 | GREEN GO HOME
2019 | BOYBO++ ( AFTER MATISSE )
2019 | BATTLESHIP POTEMKIN
2018 | PREVIOUS WORKS
>
2018 | REFURBISHED
2017 | PRE-REFURBISHED
2016 | UNTITLED
2015 | THIS WASN'T WHAT WE ASKED FOR
2014 | SONY
2013 | SALVAGE
2012 | MECHANICAL PATTERNS
2011 | PLOTTED PENS
2010 | HUE
2009 | UNDERWATER
2008 | PHOTOGRAPHY
2007 | COLONIALISM
ABOUT
CV
PRESS