ALEJO
  • ON VIEW
    • 2023 | IN WORK WE TRUST | ¡CHAMO, ¿QUÉ HICISTE CON EL CARRO?
    • 2023 | PORTALS IN A STATE OF SUNSHINE
    • 2023 | DRAW POINT TO POINT
  • WORK
    • 2022 | OVERLAID '22
    • 2022 | GTIS & PARTNERS
    • 2022 | CHOCOLATE BOX
    • 2022 | COLUMBIA MFA THESIS EXHIBITION
    • 2021 | THE (better late than never) SUMMER SHOW
    • 2021 | COLUMBIA UNIVERSITY CLASS OF 2022 FIRST YEAR SHOW
    • 2021 | GÜELCOME TO MY BEREAVED CHIMERA OF LA LA LAND
    • 2020 | DRAWN: CONCEPT & CRAFT
    • 2020 | ARAC COLLAGE SERIES
    • 2019 | GREEN GO HOME
    • 2019 | BOYBO++ ( AFTER MATISSE )
    • 2019 | BATTLESHIP POTEMKIN
    • 2018 | PREVIOUS WORKS >
      • 2018 | REFURBISHED
      • 2017 | PRE-REFURBISHED
      • 2016 | UNTITLED
      • 2015 | THIS WASN'T WHAT WE ASKED FOR
      • 2014 | SONY
      • 2013 | SALVAGE
      • 2012 | MECHANICAL PATTERNS
      • 2011 | PLOTTED PENS
      • 2010 | HUE
      • 2009 | UNDERWATER
      • 2008 | PHOTOGRAPHY
      • 2007 | COLONIALISM
  • ABOUT
    • CV
    • PRESS
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  • ON VIEW
    • 2023 | IN WORK WE TRUST | ¡CHAMO, ¿QUÉ HICISTE CON EL CARRO?
    • 2023 | PORTALS IN A STATE OF SUNSHINE
    • 2023 | DRAW POINT TO POINT
  • WORK
    • 2022 | OVERLAID '22
    • 2022 | GTIS & PARTNERS
    • 2022 | CHOCOLATE BOX
    • 2022 | COLUMBIA MFA THESIS EXHIBITION
    • 2021 | THE (better late than never) SUMMER SHOW
    • 2021 | COLUMBIA UNIVERSITY CLASS OF 2022 FIRST YEAR SHOW
    • 2021 | GÜELCOME TO MY BEREAVED CHIMERA OF LA LA LAND
    • 2020 | DRAWN: CONCEPT & CRAFT
    • 2020 | ARAC COLLAGE SERIES
    • 2019 | GREEN GO HOME
    • 2019 | BOYBO++ ( AFTER MATISSE )
    • 2019 | BATTLESHIP POTEMKIN
    • 2018 | PREVIOUS WORKS >
      • 2018 | REFURBISHED
      • 2017 | PRE-REFURBISHED
      • 2016 | UNTITLED
      • 2015 | THIS WASN'T WHAT WE ASKED FOR
      • 2014 | SONY
      • 2013 | SALVAGE
      • 2012 | MECHANICAL PATTERNS
      • 2011 | PLOTTED PENS
      • 2010 | HUE
      • 2009 | UNDERWATER
      • 2008 | PHOTOGRAPHY
      • 2007 | COLONIALISM
  • ABOUT
    • CV
    • PRESS