ALEJO
  • WORKS
    • Projects >
      • 2025 TROPICAL LAB SINGAPORE
      • 2025 | Emersión
      • 2024 | Prototype 1.0
      • 2024 | Bound/Unbound
      • 2023 | IN WORK WE TRUST | ¡CHAMO, ¿QUÉ HICISTE CON EL CARRO?
      • 2023 | DRAW POINT TO POINT
      • 2023 | PORTALS IN A STATE OF SUNSHINE
      • 2022 | OVERLAID '22
      • 2022 | GTIS & PARTNERS
      • 2022 | CHOCOLATE BOX
      • 2022 | COLUMBIA MFA THESIS EXHIBITION
      • 2021 | THE (better late than never) SUMMER SHOW
      • 2021 | COLUMBIA UNIVERSITY CLASS OF 2022 FIRST YEAR SHOW
      • 2021 | GÜELCOME TO MY BEREAVED CHIMERA OF LA LA LAND
      • 2020 | DRAWN: CONCEPT & CRAFT
      • 2020 | ARAC COLLAGE SERIES
      • 2019 | GREEN GO HOME
      • 2019 | BOYBO++ ( AFTER MATISSE )
      • 2019 | BATTLESHIP POTEMKIN
      • ARCHIVE >
        • 2018 | REFURBISHED
        • 2017 | PRE-REFURBISHED
        • 2016 | UNTITLED
        • 2015 | THIS WASN'T WHAT WE ASKED FOR
        • 2014 | SONY
        • 2013 | SALVAGE
        • 2012 | MECHANICAL PATTERNS
        • 2011 | PLOTTED PENS
        • 2010 | HUE
        • 2009 | UNDERWATER
        • 2008 | PHOTOGRAPHY
        • 2007 | COLONIALISM
  • TOURS
  • CURRENT
  • ABOUT
    • About the work
    • CV
    • PRESS


Prototype 1.0

Picture
20 Jay Street, Suite 311B
Brooklyn, NY 11201
April 12th - May 20th, 2024
​Curated by Tomas Vu
      Korakrit Arunanondchai  | Natalie Birinyi | Nathan Catlin | Ernesto Caivano | Isami Ching | William Cordova | Alejandro Contreras | Predrag Dimitrijevic | Rafael Domenech Delphine Fawundu | Megan Foster |  Fab 5 Freddy | Buckminster Fuller | Baris Gokturk | Valerie Hammond | Cate Holt | Michael Joo | Julia Jalowiec | Sonia Kahn | Jon Kessler | Calvin Kim | Fred Liang | Charlene Liu | Nicola López | Raphaela Melsohn | Jeffrey Meris |Amanda Millet-Sorsa | Brian Novatny | Jennifer Nuss | Kambui Olujimi | Leah Piepgras Lee Quiñones | Paul Rho | Hanneline Røgeberg | Lisa Sigal | Luis Silva | Kiki Smith | Jairo Sosa | Sarah Sze | Hae Won Sohn Stipan Tadic | Leandro Vazquez | Beau Willimon | Wang Xu | Craig Zammiello

     Thinking through the relationship between object-hood and origin, the notion of the prototype can be engaged not only with the physical models but also with the modeling of ideas, concepts and dreams. First encountering Buckminster Fuller’s blueprint of the Dymaxion car, I became plagued with understanding the underpinnings of what comprises the artist’s vision, and the process of channeling infinite realms of possibility. With this exhibition, I wanted to highlight that initial spark – the beginning – as the essential moment of creative generation.   -Tomas Vu
Powered by Create your own unique website with customizable templates.
  • WORKS
    • Projects >
      • 2025 TROPICAL LAB SINGAPORE
      • 2025 | Emersión
      • 2024 | Prototype 1.0
      • 2024 | Bound/Unbound
      • 2023 | IN WORK WE TRUST | ¡CHAMO, ¿QUÉ HICISTE CON EL CARRO?
      • 2023 | DRAW POINT TO POINT
      • 2023 | PORTALS IN A STATE OF SUNSHINE
      • 2022 | OVERLAID '22
      • 2022 | GTIS & PARTNERS
      • 2022 | CHOCOLATE BOX
      • 2022 | COLUMBIA MFA THESIS EXHIBITION
      • 2021 | THE (better late than never) SUMMER SHOW
      • 2021 | COLUMBIA UNIVERSITY CLASS OF 2022 FIRST YEAR SHOW
      • 2021 | GÜELCOME TO MY BEREAVED CHIMERA OF LA LA LAND
      • 2020 | DRAWN: CONCEPT & CRAFT
      • 2020 | ARAC COLLAGE SERIES
      • 2019 | GREEN GO HOME
      • 2019 | BOYBO++ ( AFTER MATISSE )
      • 2019 | BATTLESHIP POTEMKIN
      • ARCHIVE >
        • 2018 | REFURBISHED
        • 2017 | PRE-REFURBISHED
        • 2016 | UNTITLED
        • 2015 | THIS WASN'T WHAT WE ASKED FOR
        • 2014 | SONY
        • 2013 | SALVAGE
        • 2012 | MECHANICAL PATTERNS
        • 2011 | PLOTTED PENS
        • 2010 | HUE
        • 2009 | UNDERWATER
        • 2008 | PHOTOGRAPHY
        • 2007 | COLONIALISM
  • TOURS
  • CURRENT
  • ABOUT
    • About the work
    • CV
    • PRESS