ALEJO
  • WORKS
    • Projects >
      • 2025 | Emersión
      • 2024 | Prototype 1.0
      • 2024 | Bound/Unbound
      • 2023 | IN WORK WE TRUST | ¡CHAMO, ¿QUÉ HICISTE CON EL CARRO?
      • 2023 | DRAW POINT TO POINT
      • 2023 | PORTALS IN A STATE OF SUNSHINE
      • 2022 | OVERLAID '22
      • 2022 | GTIS & PARTNERS
      • 2022 | CHOCOLATE BOX
      • 2022 | COLUMBIA MFA THESIS EXHIBITION
      • 2021 | THE (better late than never) SUMMER SHOW
      • 2021 | COLUMBIA UNIVERSITY CLASS OF 2022 FIRST YEAR SHOW
      • 2021 | GÜELCOME TO MY BEREAVED CHIMERA OF LA LA LAND
      • 2020 | DRAWN: CONCEPT & CRAFT
      • 2020 | ARAC COLLAGE SERIES
      • 2019 | GREEN GO HOME
      • 2019 | BOYBO++ ( AFTER MATISSE )
      • 2019 | BATTLESHIP POTEMKIN
      • ARCHIVE >
        • 2018 | REFURBISHED
        • 2017 | PRE-REFURBISHED
        • 2016 | UNTITLED
        • 2015 | THIS WASN'T WHAT WE ASKED FOR
        • 2014 | SONY
        • 2013 | SALVAGE
        • 2012 | MECHANICAL PATTERNS
        • 2011 | PLOTTED PENS
        • 2010 | HUE
        • 2009 | UNDERWATER
        • 2008 | PHOTOGRAPHY
        • 2007 | COLONIALISM
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Bound/unbound
Books made by artists

LeRoy Neiman Gallery,
Columbia University
New York, NY 10027
March 18th - April 24th, 2024
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​Curated by Megan Foster

Bound/Unbound brings together a group of artists who investigate books as art objects that exist at the intersection of printmaking, photography, experimental text, visual arts, graphic design and publishing. Artists' books, like reading, are a physical experience allowing a viewer to connect with an object, blurring the boundaries between the written word and visual art. Understanding a book as an artwork invites a reflection on the properties of the book form itself. A common theme throughout the show is experimentation and how to present a medium that tends to require hands-on interaction in a gallery or museum context. Bound/Unbound is inspired by artists such as Ed Ruscha and Dieter Roth who helped to bring about the modern conception of an artist book.   
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  • WORKS
    • Projects >
      • 2025 | Emersión
      • 2024 | Prototype 1.0
      • 2024 | Bound/Unbound
      • 2023 | IN WORK WE TRUST | ¡CHAMO, ¿QUÉ HICISTE CON EL CARRO?
      • 2023 | DRAW POINT TO POINT
      • 2023 | PORTALS IN A STATE OF SUNSHINE
      • 2022 | OVERLAID '22
      • 2022 | GTIS & PARTNERS
      • 2022 | CHOCOLATE BOX
      • 2022 | COLUMBIA MFA THESIS EXHIBITION
      • 2021 | THE (better late than never) SUMMER SHOW
      • 2021 | COLUMBIA UNIVERSITY CLASS OF 2022 FIRST YEAR SHOW
      • 2021 | GÜELCOME TO MY BEREAVED CHIMERA OF LA LA LAND
      • 2020 | DRAWN: CONCEPT & CRAFT
      • 2020 | ARAC COLLAGE SERIES
      • 2019 | GREEN GO HOME
      • 2019 | BOYBO++ ( AFTER MATISSE )
      • 2019 | BATTLESHIP POTEMKIN
      • ARCHIVE >
        • 2018 | REFURBISHED
        • 2017 | PRE-REFURBISHED
        • 2016 | UNTITLED
        • 2015 | THIS WASN'T WHAT WE ASKED FOR
        • 2014 | SONY
        • 2013 | SALVAGE
        • 2012 | MECHANICAL PATTERNS
        • 2011 | PLOTTED PENS
        • 2010 | HUE
        • 2009 | UNDERWATER
        • 2008 | PHOTOGRAPHY
        • 2007 | COLONIALISM
  • TOURS
  • CURRENT
  • ABOUT
    • About the work
    • CV
    • PRESS