ALEJO
  • WORKS
    • Projects >
      • 2024 | Prototype 1.0
      • 2024 | Bound/Unbound
      • 2023 | IN WORK WE TRUST | ¡CHAMO, ¿QUÉ HICISTE CON EL CARRO?
      • 2023 | DRAW POINT TO POINT
      • 2023 | PORTALS IN A STATE OF SUNSHINE
      • 2022 | OVERLAID '22
      • 2022 | GTIS & PARTNERS
      • 2022 | CHOCOLATE BOX
      • 2022 | COLUMBIA MFA THESIS EXHIBITION
      • 2021 | THE (better late than never) SUMMER SHOW
      • 2021 | COLUMBIA UNIVERSITY CLASS OF 2022 FIRST YEAR SHOW
      • 2021 | GÜELCOME TO MY BEREAVED CHIMERA OF LA LA LAND
      • 2020 | DRAWN: CONCEPT & CRAFT
      • 2020 | ARAC COLLAGE SERIES
      • 2019 | GREEN GO HOME
      • 2019 | BOYBO++ ( AFTER MATISSE )
      • 2019 | BATTLESHIP POTEMKIN
      • 2018 | PREVIOUS WORKS >
        • 2018 | REFURBISHED
        • 2017 | PRE-REFURBISHED
        • 2016 | UNTITLED
        • 2015 | THIS WASN'T WHAT WE ASKED FOR
        • 2014 | SONY
        • 2013 | SALVAGE
        • 2012 | MECHANICAL PATTERNS
        • 2011 | PLOTTED PENS
        • 2010 | HUE
        • 2009 | UNDERWATER
        • 2008 | PHOTOGRAPHY
        • 2007 | COLONIALISM
  • TOURS
  • CURRENT
  • ABOUT
    • About the work
    • CV
    • PRESS

COLUMBIA MFA THESIS EXHIBITION

Curated by Elisabeth Sherman

Wallach Art Gallery, New York, N.Y.
​ April 23–May 22, 2022

metamorfosis artística

Bronze, pigment, clear coat, plexiglass, laser-cut serigraphy on paper, laminated mylar, vinyl, oil paint, reclaimed NY City posters, wood, latex paint, tape. Dimensions variable.

Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Powered by Create your own unique website with customizable templates.
  • WORKS
    • Projects >
      • 2024 | Prototype 1.0
      • 2024 | Bound/Unbound
      • 2023 | IN WORK WE TRUST | ¡CHAMO, ¿QUÉ HICISTE CON EL CARRO?
      • 2023 | DRAW POINT TO POINT
      • 2023 | PORTALS IN A STATE OF SUNSHINE
      • 2022 | OVERLAID '22
      • 2022 | GTIS & PARTNERS
      • 2022 | CHOCOLATE BOX
      • 2022 | COLUMBIA MFA THESIS EXHIBITION
      • 2021 | THE (better late than never) SUMMER SHOW
      • 2021 | COLUMBIA UNIVERSITY CLASS OF 2022 FIRST YEAR SHOW
      • 2021 | GÜELCOME TO MY BEREAVED CHIMERA OF LA LA LAND
      • 2020 | DRAWN: CONCEPT & CRAFT
      • 2020 | ARAC COLLAGE SERIES
      • 2019 | GREEN GO HOME
      • 2019 | BOYBO++ ( AFTER MATISSE )
      • 2019 | BATTLESHIP POTEMKIN
      • 2018 | PREVIOUS WORKS >
        • 2018 | REFURBISHED
        • 2017 | PRE-REFURBISHED
        • 2016 | UNTITLED
        • 2015 | THIS WASN'T WHAT WE ASKED FOR
        • 2014 | SONY
        • 2013 | SALVAGE
        • 2012 | MECHANICAL PATTERNS
        • 2011 | PLOTTED PENS
        • 2010 | HUE
        • 2009 | UNDERWATER
        • 2008 | PHOTOGRAPHY
        • 2007 | COLONIALISM
  • TOURS
  • CURRENT
  • ABOUT
    • About the work
    • CV
    • PRESS