WORKS
Projects
>
2024 | Prototype 1.0
2024 | Bound/Unbound
2023 | IN WORK WE TRUST | ¡CHAMO, ¿QUÉ HICISTE CON EL CARRO?
2023 | DRAW POINT TO POINT
2023 | PORTALS IN A STATE OF SUNSHINE
2022 | OVERLAID '22
2022 | GTIS & PARTNERS
2022 | CHOCOLATE BOX
2022 | COLUMBIA MFA THESIS EXHIBITION
2021 | THE (better late than never) SUMMER SHOW
2021 | COLUMBIA UNIVERSITY CLASS OF 2022 FIRST YEAR SHOW
2021 | GÜELCOME TO MY BEREAVED CHIMERA OF LA LA LAND
2020 | DRAWN: CONCEPT & CRAFT
2020 | ARAC COLLAGE SERIES
2019 | GREEN GO HOME
2019 | BOYBO++ ( AFTER MATISSE )
2019 | BATTLESHIP POTEMKIN
2018 | PREVIOUS WORKS
>
2018 | REFURBISHED
2017 | PRE-REFURBISHED
2016 | UNTITLED
2015 | THIS WASN'T WHAT WE ASKED FOR
2014 | SONY
2013 | SALVAGE
2012 | MECHANICAL PATTERNS
2011 | PLOTTED PENS
2010 | HUE
2009 | UNDERWATER
2008 | PHOTOGRAPHY
2007 | COLONIALISM
TOURS
CURRENT
ABOUT
About the work
CV
PRESS
WORKS
Projects
>
2024 | Prototype 1.0
2024 | Bound/Unbound
2023 | IN WORK WE TRUST | ¡CHAMO, ¿QUÉ HICISTE CON EL CARRO?
2023 | DRAW POINT TO POINT
2023 | PORTALS IN A STATE OF SUNSHINE
2022 | OVERLAID '22
2022 | GTIS & PARTNERS
2022 | CHOCOLATE BOX
2022 | COLUMBIA MFA THESIS EXHIBITION
2021 | THE (better late than never) SUMMER SHOW
2021 | COLUMBIA UNIVERSITY CLASS OF 2022 FIRST YEAR SHOW
2021 | GÜELCOME TO MY BEREAVED CHIMERA OF LA LA LAND
2020 | DRAWN: CONCEPT & CRAFT
2020 | ARAC COLLAGE SERIES
2019 | GREEN GO HOME
2019 | BOYBO++ ( AFTER MATISSE )
2019 | BATTLESHIP POTEMKIN
2018 | PREVIOUS WORKS
>
2018 | REFURBISHED
2017 | PRE-REFURBISHED
2016 | UNTITLED
2015 | THIS WASN'T WHAT WE ASKED FOR
2014 | SONY
2013 | SALVAGE
2012 | MECHANICAL PATTERNS
2011 | PLOTTED PENS
2010 | HUE
2009 | UNDERWATER
2008 | PHOTOGRAPHY
2007 | COLONIALISM
TOURS
CURRENT
ABOUT
About the work
CV
PRESS
